Nina simone what is freedom




















May 10, PM. Mar 08, PM. Leanne books view quotes. Mar 02, AM. Pat books view quotes. Jan 21, PM. DAVID 1 book view quotes. Nov 20, AM. Tori : 87 books view quotes. Nov 08, PM. Soreia books view quotes. Oct 21, AM. Jola 33 books view quotes. Aug 03, PM. Charlie books view quotes. Aug 02, PM. Jun 07, AM. Emily 1, books view quotes. Mar 22, PM. Doyle 2, books view quotes. Mar 13, AM. Jo 1 book view quotes. Jan 11, AM.

Natalie 60 books view quotes. Aug 16, PM. Sharee 1, books view quotes. Aug 10, PM. Jul 11, PM. Jul 02, PM. Apr 26, AM.

Apr 09, PM. Stu books view quotes. Simone bristled at the comparisons with Holiday. The deal Simone agreed with Bethlehem Records was shortsighted. That said, the exposure — the song featured in a perfume commercial — brought Simone to a new audience and allowed her to work only when she needed to until her death in She recorded only one more studio album, A Single Woman, in Mississippi Goddam is a frustrated call to arms, a plea for mercy, a recalcitrant cry of defiance and an angry voice of reason crying out against the most untenable and unjust of situations.

Mississippi Goddam was controversial, not least because of the cursing in its title. The origin of Sinnerman or Sinner Man before Simone dispensed with the spacing is ambiguous, some claiming the traditional African-American spiritual started life as a Scottish folk song. I found out I could do more destroying a song and screaming it to death. I Put a Spell on You glides effortlessly in through your ear, and before you know it, it has you right where it wants you.

Simone and Brooklyn-based producer Hal Mooney set about stripping away the tinkly intro to leave just her naked voice, building up tremendous tension before releasing it with a fusillade of bombastic brass. The rest of the track, with its staccato piano as counterpoint, is equally irresistible. What is the critical thinking we need to do around the topic of race?

We have to provide context and set the table to have engaging discussions around topics like the meaning of anti-racism. These conversations require critical thinking and acknowledgement of facts, but most important, a level of trust between people engaged in what could be a very emotional and risky discussion.

Create space and an environment where stakeholders can have tough, challenging, imperfect conversations and ultimately find common ground to solve problems together. DM: So freedom—the lack of fear—to speak out, and maybe hear yourself say something awkward, is an important part of that challenge? EM: Yes. In our last ERG conversation, we dove right into the topic of slavery, and the lack of acknowledgment of the structural racism that occurred post-Civil War and that resulted in a number of terrible consequences for Black communities across the country.

Honestly, it was an exhausting conversation for our Black employees, but one that we prepared for and were ready to engage authentically with our fellow resource-group members. Oftentimes, when you get into these conversations, people feel ashamed of what happened over our years of slavery as an institution in America. They feel ashamed of what happened during the Jim Crow era.

Marine Corps veteran, I know that the ideals of our Constitution are not a zero-sum game. It is only when we force ourselves to think of our ideals as limited resources, when we succumb to the fear of false equivalences, when we choose not to acknowledge the humanity of our fellow citizens, that we lose an incredible opportunity to engage, debate, and learn from our imperfect history.

DM: Freedom equals no fear, which may be impossible. EM: I mean, no fear: What an aspiration! There are equal parts risk and courage in having those conversations. But the worst thing we can do is not have them with people that we care about. Skip to main content.



0コメント

  • 1000 / 1000